Generate Tribal Paint Close Up Portraits

A high-resolution, full-face close-up portrait of a person with the entire face visible, adorned with intricate tribal paint made of natural pigments like ochre and white clay, simulating an 85mm f/1.2 L-series prime lens shot on a Sony A7R V with moderate depth of field at f/2.8 ensuring the entire face from nose to ears is sharp and in focus. Use Rembrandt Lighting combined with softbox diffusion to create a 3D sense of depth with realistic catchlights in both eyes. Macro-level rendering of cracked and flaking pigments across the entire face with visible dermal pores, natural skin sheen, fine vellus hair, realistic iris depth and moisture in both eyes, and subsurface scattering on unpainted areas like cheeks and ears. Front-facing, eye-level close-up showing the full head and shoulders against a neutral, dark background to make the white and ochre pigments pop. Kodak Portra 400 film simulation for natural, warm skin tones and high-dynamic-range highlights. Do not include smooth, digitally painted looks; the paint must have physical volume, cracks, and flakes and not look like a Photoshop overlay. No airbrushed or perfected skin; no blurry features; the entire face must be sharp and unedited with physically accurate lighting showing the dry texture of the paint and natural texture of the skin.